|Frances G. Spencer Collection of American Popular Sheet Music
The Frances G. Spencer Collection of American Sheet Music is one of the few collections of its kind and size in the country. Acquired by Baylor University in 1965, this collection of approximately 30,000 titles was the life-long pursuit of the avid and well-respected sheet music collector for whom the collection is named. The collection includes many fine examples of first editions such as Jingle Bells and Battle Hymn of the Republic, as well as first editions of prominent American composers of the time such as Stephen Foster and Scott Joplin. Spanning from the late 18th century to the early 20th century, the Spencer collection complements a number of areas of study in addition to music, including Texas and American history, art, political science, sociology, theater, sports, and recreation. It is arranged in over 200 subject categories.
The lyrics and cover art of this collection provide a fascinating window to a wide variety of topics of historical and cultural interest including Texas and American history, art, political science, sociology, theater, sports, and recreation. Access to such an important collection affords researchers and students of all ages an exciting resource for better understanding of our shared history.
This project greatly facilitates the use of the collection by a larger and more varied audience. No longer is it available only to scholars and students within the immediate area; it is accessible throughout the state and beyond by individuals and classrooms connected to the Internet. In addition, the electronic format provides virtually unlimited access while reducing physical damage to the fragile original materials.
This collection is considered an active collection. Items will be added periodically as they are acquired by Baylor University and processed through the Digitization Projects Group.
The historical materials in this collection may contain offensive or inappropriate language or images. The music presented here is part of an historical record that reflects attitudes and perspectives from the past. Some of the images and texts may be offensive to users. Baylor University does not endorse the views expressed in this material, but provides access in an effort to provide a more complete picture of social and cultural issues of the past as reflected in American popular music.
This collections is part of UCLA’s Sheet Music Consortium.
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